Banjos презентация

Rae and T. Rossing, Proc. ISMA 2004.
“Banjos” J. Rae (in Science of String Instruments ed. T. Rossing, Springer 2010)
“The structural dynamics of the American five-string banjo” J. Dickey, JASA 114, 2958
(2003)
“Experimental investigation of an American five-string banjo” L.Stephey and T. Moore,
American Journal of Physics 124, 3276 (2008)

RAGTIME AND DIXIELAND JAZZ; USUALLY PLAYED IN STRUMMING OR FLAT PICKING STYLE
5-STRING BANJO WITH RESONATOR: POPULAR IN BLUEGRASS MUSIC; USUALLY PLAYED WITH PICKS
5-STRING BANJO WITHOUT RESONATOR: USED IN OLD-TIME MUSIC; OFTEN PLAYED IN “CLAW HAMMER” STYLE (STRINGS ARE PICKED AND BRUSHED WITH THE FINGERS)

THE BRIDGE RESTS ON A MYLAR MEMBRANE WHOSE TENSION CAN BE ADJUSTED WITH A HOOP AND BOLTS

WITH THE RESONATOR IN PLACE, THE INSTRUMENT HAS AN ENCLOSED AIR CAVITY, AS FOUND IN GUITARS, VIOLINS, MANDOLINS, AND OTHER INSTRUMENTS. TUNING OF THE CAVITY IS POSSIBLE BY USE OF ADJUSTABLE SPACERS CALLED “RAEJUSTERS” WHICH CHANGE THE SPACING BETWEEN THE RESONATOR AND THE REST OF THE BANJO POT

196, 147, AND 393 Hz, RESPECTIVELY). THE BRIGHT SOUND HAS MANY HARMONICS.

SPECTRUM OF BANJO SOUND FOLLOWING A PLUCK OF THE OPEN 1ST STRING

OF TOTAL SOUND UP TO AND INCLUDING HARMONICS Hn

DESCRIBED IN TERMS OF NORMAL MODES OF VIBRATION. A NORMAL MODE IS CHARACTERISTIC OF THE VIBRATING OBJECT ITSELF AND IS NOT DEPENDENT ON HOW THE OBJECT IS EXCITED OR OBSERVED. FOR A MANDOLIN, A NORMAL MODE IS DETERMINED BY THE COUPLED MOTION OF ITS STRINGS, BRIDGE, HEAD, ENCLOSED AIR CAVITY, AND THE NECK/HEADSTOCK/FINGERBOARD ASSEMBLY.

THE DEFLECTION OF AN OBJECT AT A PARTICULAR FREQUENCY IS CALLED AN OPERATING DEFLECTION SHAPE (ODS). AN ODS MAY RESULT FROM THE EXCITATION OF MORE THAN ONE NORMAL MODE. A CURVE FITTING PROGRAM MAY BE USED TO DETERMINE THE INDIVIDUAL NORMAL MODES FROM THE ODS.

OF DETECTING MOTION, BUT HOLOGRAPHIC INTERFEROMETRY OFFERS THE BEST SPATIAL RESOLUTION.
ELECTRONIC TV HOLOGRAPHY IS A FAST AND CONVENIENT WAY TO RECORD ODSs FROM WHICH NORMAL MODES CAN BE DETERMINED.

SYSTEM USED FOR TV HOLOGRAPHY

THE HEAD OF A HUBER LEXINGTON BANJO.

AN AIR CAVITY WHICH HAS QUITE A LARGE EFFECT ON THE HEAD VIBRATION AT LOW FREQUENCY. INCREASING THE SIZE OF THE RESONATOR-RIM GAP BY MEANS OF A RAEJUSTER INCREASES THE RESONANCE FREQUENCY OF THE ENCLOSED AIR CAVITY

TOTAL SOUND vs FREQUENCY WITH AND WITHOUT THE RESONATOR

DENSER WOOD. MOST BRIDGES HAVE 3 LEGS, ONE AT EACH END AND ONE AT THE CENTER. A USEFUL TRICK IS TO DRILL VERTICAL HOLES THROUGH THE OUTER LEGS WITH ALUMINUM RODS TO STIFFEN THE BRIDGE.

FRACTION OF SOUND vs FREQUENCY FOR TWO BRIDGES. BRIDGE 1 IS MADE OF A STIFFER WOOD THAN BRIDGE 2.

OF THE BANJO WHEN THE BRIDGE IS VIBRATED. BY FAR THE MOST ENERGY IS TRANSFERRED TO THE HEAD , ESPECIALLY AT LOW FREQUENCY (Rae, 2009)

BRIDGE RECORDED 0-2 s AFTER PLUCKING