Suzanne Valadon презентация

Содержание

Suzanne Valadon was born in 1865 at Bessines-sur-Gartempe, an illegitimate daughter of a French laundress. She became an artists' model, posing for such artists as Pierre Puvis

Слайд 1Woman
Artist
Model
Suzanne Valadon


Слайд 2

Suzanne Valadon was born in 1865 at Bessines-sur-Gartempe, an

illegitimate daughter of a French laundress. She became an artists' model, posing for such artists as Pierre Puvis de Chavannes, Henri de Toulouse-Lautrec, and Renoir.Mingling with the Impressionists in the clubs and cabarets of Montmartre, where she caused a sensation with her provocative stunts, Suzanne took numerous lovers. At eighteen she gave birth to an illegitimate son, the future artist Maurice Utrillo. Valadon soon took interest in painting. She observed the techniques of the artists for whom she was posing and began creating her own paintings. Among the artists she knew were van Gogh, Gauguin, Picasso and Modigliani.



Слайд 4With her son, the famous painter Maurice Utrillo, born Maurice Valladon


Слайд 5Family portrait, c. 1910. Utter, Valladon, Utter’s mother and Maurice Utrillo


Слайд 6
Mother Suzanne Valadon (1865-1938) and son Maurice Utrillo, born Maurice

Valadon (1883-1955)


Слайд 7
From age nine Suzanne supported herself by doing odd jobs. One

was as a circus acrobat. She did it until she fell off the trapeze when she was sixteen.



Слайд 19

The Violin Box, 1923


Слайд 20
Suzanne Valadon painted still-lifes, floral art, and landscapes that were noted

for their strong composition and vibrant colors. Her first exhibitions in the early 1890s consisted mainly of portraits, among them one of Erik Satie with whom she began an affair in 1893.

Portrait of Composer Erik Satie c.1892



Слайд 21

Portrait of Lily Walton 1923


Слайд 22
Portrait of Mme Zamaron 1922


Слайд 23

Geneviève Camax-Zoegger, 1936


Слайд 24

Portrait of Madame Coquiot 1918


Слайд 25Femme allongée sur un canapé


Слайд 26
Even if Valadon received no formal art training, she was able

(through her close associations with prominent artists) to develop a re-gendering of women's bodies and strength. The self-absorption and vitality of her subjects, for instance, are in stark opposition to the essential passivity of females nudes that had until then been the traditional manner of representing womanhood.



Слайд 27The abandoned doll

This painting exhibits all the characteristics of Valadon's

mature work: brightly colored forms defined by heavy, dark outlines; strange, somewhat awkward poses; and deliberately simplified, distorted anatomy and space.



Слайд 29

Reclining Nude on a Sofa , 1928


Слайд 32Nudes (1919). (MASP, São Paulo).


Слайд 33

Nu assis sur un divan 1922


Слайд 34

Le lancement du filet ,1914


Слайд 35Adam and Eve, modeled on Valadon and her young lover

In 1906,

her son Maurice introduced to her his friend André Utter. By that time she was married to stockbroker Paul Mousis, whom she had married in 1896. She fell in love with André Utter, na artist 21 years younger than her, who became the love of her life

Слайд 36

Self portrait, 1927


Слайд 37

Portrait de Utrillo 1921


Слайд 38

La femme aux bas blancs 1924


Слайд 39

Woman with a Double Bass 1914


Слайд 40

Montocorin farm


Слайд 41

L’aulne dans la prairie - 1922


Слайд 42Houses on the countryside -1916


Слайд 43View from My Window in Genets (Brittany)
1922


Слайд 45Portrait of Maurice Utrillo (1883-1955), his Grandmother and his Dog, 1910


Слайд 46

The Blue Room


Слайд 47Young Girl sitting on a low wall -1930


Слайд 48Marie Coca and her Daughter


Слайд 49

The Bath, 1905


Слайд 50A strikingly beautiful girl, she found work as an artists' model

and used the opportunity to observe and learn the artists' techniques. She modeled for such greats as Edgar Degas, Henri de Toulouse-Lautrec, Pierre-Auguste Renoir


and Pierre Puvis de Chavannes, all of whom would have an affair with her. She haunted the sleazy bars of Paris with the men and in 1889 Toulouse-Lautrec would paint a famous portrait of her titled: "The Hangover” (La Buveuse).

Suzanne
Valadon:
the model




Слайд 51Toulouse Lautrec, The Drinker c. 1888


Слайд 52Toulouse Lautrec, La Buveuse 1889


Слайд 53
Pierre Renoir – Umbrellas. Model: Suzanne Valadon


Слайд 54

Renoir, Girl Braiding Her Hair


Слайд 55Renoir, Danse à Bougival
Steinlen, Portrait of Suzanne Valadon



Слайд 57Renoir, Portrait


Слайд 58

Suzanne Valadon by Henri de Toulouse-Lautrec. 1886-87



Слайд 59Toulouse Lautrec,
The Laundry Worker


Слайд 60
Puvis de Chavannes, Pierre (1824-98) Untitled painting of Suzanne Valadon 1880


Слайд 61
Amedeo Modigliani, “Portrait de Suzanne Valadon”



Слайд 62
Marcel Leprin (1891-1933) Suzanne Valadon and her Cat


Слайд 63

T-A Steinlen, Portrait de Suzanne Valadon ,
T-A Steinlen, Suzanne Valadon (vue

en contre-plongée), 1896.

Слайд 64

André Utter, Suzanne Valadon Combing Herself


Слайд 65

Utrillo, Portrait of Suzanne Valadon


Слайд 66 In 1890 she became friends with painter Edgar Degas.

After seeing some of Valadon's work, Degas encouraged her efforts to become an artist, buying some of her pieces and helping her get her career started. Due to encouragement from Degas, in 1894 Valadon became the first woman to show at the Société Nationale des Beaux-Arts, a major French artistic accomplishment.


Edgar Degas -Le Tab model Suzanne Valadon



Слайд 67

the character of Suzanne Rouvier in Somerset Maugham’s The Razor’s Edge.


When she died , many notables from the Parisian art community came to her funeral, including Pablo Picasso, Georges Braque and André Derain. Suzanne was buried in Paris.




Suzanne Valadon died in 1938. Her art continues to generate interest as time passes and is significantly represented in collections of The Cleveland Museum of Art, The Art Institute of Chicago, The National Museum of Women in the Arts and Paris’ Centre Pompidou. The intensity of Suzanne’s

palette
matched the passion of her actions and emotions, just like her ability to go from model to peer among painters reflected her self-determination and resilience. Her free-spirited ways have inspired novels, biographies and films, and she was even the ,likely basis for





Слайд 68Self portrait

« Que des hommes m’aient aimée, soit. Mais je veux

être aimée des hommes qui ne m’auront jamais vue, qui demeureront à rêver et à m’imaginer devant un carré de toile où, avec mes couleurs, j’aurai laissée un peu de mon âme »

Suzanne Valadon






Слайд 69









Lilibeth

1/28/2012


Обратная связь

Если не удалось найти и скачать презентацию, Вы можете заказать его на нашем сайте. Мы постараемся найти нужный Вам материал и отправим по электронной почте. Не стесняйтесь обращаться к нам, если у вас возникли вопросы или пожелания:

Email: Нажмите что бы посмотреть 

Что такое ThePresentation.ru?

Это сайт презентаций, докладов, проектов, шаблонов в формате PowerPoint. Мы помогаем школьникам, студентам, учителям, преподавателям хранить и обмениваться учебными материалами с другими пользователями.


Для правообладателей

Яндекс.Метрика