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The origin of stylistics and its modern trends. (Lecture 1) презентация
Содержание
- 1. The origin of stylistics and its modern trends. (Lecture 1)
- 2. What is stylistics? “nobody
- 3. Stylistics from Lat. “stilos” (a sharp stick
- 4. Stylistics and Rhetoric Rhetoric – art of composition and delivery of speeches
- 5. Rhetoric Ancient Greece: art of persuasion
- 6. Stylistics borrowed from rhetoric technical equipment traditional object (STYLE)
- 7. Stylistics and Structural Linguistics XX century
- 8. Structural Linguistics concentrated on the structure of
- 9. 1905 - Charles Bally “Précis de
- 10. Ch. Bally’s Main Ideas one of language
- 11. Literary Approach to Style Leo Spitzer
- 12. Leo Spitzer’s Main Ideas Language - a
- 13. LINGUISTIC STYLISTICS vs LITERARY STYLISTICS Charles Bally’s
- 14. Linguistic stylistics investigation of the inventory of
- 15. Literary stylistics (literary criticism) - sphere
- 16. Model of Communicative Act R. Jakobson: six
- 17. Language – a code to shape information
- 18. Before Structural Linguistics No opposition between literary
- 19. Come in, will you? = Please, come
- 20. the same proposition (subject-matter) but different manner
- 21. Functional Stylistics the focus on the correlation between the message and the communicative situation
- 22. Affective Stylistics M. Riffaterre focus on
- 23. Leningrad School of Decoding Stylistics I.V. Arnold
- 24. Trends in Stylistics Linguistic Stylistics Literary
- 25. Modern Stylistics feminist stylistics cognitive stylistics
- 26. What is stylistics? a
- 27. Text interpretation Interpretation Function of text Linguistic structure
- 28. Meaning of a text Language
- 29. Thank you!
What is stylistics? “nobody has ever known what the term stylistics means, and in any case, hardly anyone seems to care” (Jean-Jacques Lecercle 1993: 14)
Слайд 2What is stylistics?
“nobody has ever known what the term stylistics means,
and in any case, hardly anyone seems to care”
(Jean-Jacques Lecercle 1993: 14)
(Jean-Jacques Lecercle 1993: 14)
Слайд 3Stylistics
from Lat. “stilos” (a sharp stick used for writing on wax
tablets)
not only an instrument for writing, but
manner of writing
not only an instrument for writing, but
manner of writing
Слайд 5Rhetoric
Ancient Greece: art of persuasion
Ancient Rome: art of good speaking (public
speaking and influencing audiences by eloquent speakers)
Mediaeval Europe: art of decorating speech (style as applied ornament)
Mediaeval Europe: art of decorating speech (style as applied ornament)
Слайд 7Stylistics and Structural Linguistics
XX century - crucial period in development
of linguistics
Ferdinand de Saussure: language as a structure and a system of different levels
Ferdinand de Saussure: language as a structure and a system of different levels
Слайд 8Structural Linguistics
concentrated on the structure of languages
more in common with the
anthropologist or the social scientist’s point of view than with the historian or the aesthetician’s
philology and linguistics diverged, as their interests and methods became different
philology and linguistics diverged, as their interests and methods became different
Слайд 91905 - Charles Bally
“Précis de Stylistique”
The First Linguistic Work on
Style
was concerned neither with writers nor even with literature in general
was interested in language and its functions
Слайд 10Ch. Bally’s Main Ideas
one of language functions - to express feelings
language - a set of means of expression which are simultaneous with thought
proper object of stylistics – to investigate how feelings are expressed by means of language and special devices
Слайд 11Literary Approach to Style
Leo Spitzer
never tried to establish
the stylistic system
of a
language
was more interested in
the world view of the writer
language
was more interested in
the world view of the writer
Слайд 12Leo Spitzer’s Main Ideas
Language - a creative activity of the individual
rather than a system of signals shared by the group
doubted the possibility to offer a reader “a step-by-step algorithm” which can be applied to a work of art
emphasized subtle psychological and cultural phenomena whose study tended to escape from the text
doubted the possibility to offer a reader “a step-by-step algorithm” which can be applied to a work of art
emphasized subtle psychological and cultural phenomena whose study tended to escape from the text
Слайд 13LINGUISTIC STYLISTICS vs LITERARY STYLISTICS
Charles Bally’s approach
Linguistic Stylistics
(лингвостилистика)
Leo Spitzer’s ideas
Literary Stylistics
(литературоведческая стилистика)
Слайд 14Linguistic stylistics
investigation of the inventory of special language media which by
their ontological features secure the desirable effect of the utterance (SDs and EMs)
certain types of texts which due to the choice and arrangement of language means are distinguished by the pragmatic aspect of the communication (FS of language)
certain types of texts which due to the choice and arrangement of language means are distinguished by the pragmatic aspect of the communication (FS of language)
Слайд 15Literary stylistics
(literary criticism)
- sphere of linguistic and literary science which
deals with the peculiarities of a writer’s individual manner of using language means to achieve the desired effect
Слайд 16Model of Communicative Act
R. Jakobson: six components of any speech event
addresser
addressee
message
code
contact
context
Слайд 17Language – a code to shape information into the message. The
supplier of the information - encoder. The addressee - decoder of the information contained in the message.
Слайд 18Before Structural Linguistics
No opposition between literary and linguistic studies
The same interests,
the same problems
Слайд 19Come in, will you? = Please, come in. = Come in.
= Get the hell in here.
The old man is dead. = The old bean has kicked the bucket. = The gentleman well advanced in years has attained the termination of his terrestrial existence.
The old man is dead. = The old bean has kicked the bucket. = The gentleman well advanced in years has attained the termination of his terrestrial existence.
Слайд 20the same proposition (subject-matter) but different manner of expression (depends upon
the situational conditions of the communication act)
stylistics investigates synonymous linguistic means for the purpose of finding out their spheres of applicability
stylistics investigates synonymous linguistic means for the purpose of finding out their spheres of applicability
Слайд 21Functional Stylistics
the focus on the correlation between the message and the
communicative situation
Слайд 22Affective Stylistics
M. Riffaterre
focus on the effect of the message, on the
output of the act of communication, on its attention-compelling function
features of linguistic utterance that are intended to impose the encoder’s way of thinking on the decoder
features of linguistic utterance that are intended to impose the encoder’s way of thinking on the decoder
Слайд 23Leningrad School of Decoding Stylistics
I.V. Arnold
reader - not a passive recipient
of the writer’s way of thinking
theory and practice of text interpretation
focus on the receiving end, on decoding and the addressee’s response
theory and practice of text interpretation
focus on the receiving end, on decoding and the addressee’s response
Слайд 24Trends in Stylistics
Linguistic Stylistics
Literary Stylistics
Functional Stylistics
Affective Stylistics
Stylistics of Decoding
Слайд 25Modern Stylistics
feminist stylistics
cognitive stylistics
discourse stylistics
a method in language teaching and language
learning
creative writing
creative writing
Слайд 26What is stylistics?
a method of textual interpretation in which primary role
belongs to language
(Paul Simpson 2004: 2)
(Paul Simpson 2004: 2)
Слайд 28Meaning of a text
Language as a function in context (time, place,
cultural and cognitive contexts)
