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Modern-dance. Dance of the twentieth century презентация
Содержание
- 1. Modern-dance. Dance of the twentieth century
- 2. Modern Dance Intention was to create a
- 3. Choreographer vs Performer
- 4. Relationship of Movement to Music In traditional
- 5. History First 3 Decades (starting about 1900)
- 6. Isadora Duncan Born May 27, 1878 Youngest
- 7. Isadora Duncan Lived in many parts of
- 8. Isadora Duncan Choreography
- 9. Second Wave (1930) Rejected external movement sources
- 10. Martha Graham Born May 11, 1894 Influence
- 11. Martha Graham Martha Graham Dance Company Dance
- 12. Martha Graham Choreography
- 13. Third Period (1945) Began after WWII ended
- 14. Merce Cunningham Born in Centralia, Washington in
- 15. The Beginning Joined Martha Graham's Dance Company
- 16. Interaction with John Cage In summer
- 17. Influences Both deeply influenced by Zen Buddhism
- 18. Root of an Unfocus 1944 Start of
- 19. Departure from Graham Company (1945) Experimented with
- 20. Chance Wanted to represent deeper level of
- 21. A dancer could be “standing still one
- 22. Reactions Viewers can give their imaginations freedom to wander -or- Feel boredom or anger
- 23. Choreography Composed dances with interchangeable parts
- 24. Technology For next 30 years, forged ahead
- 25. For people who “think”, his dances reflected
- 26. Overview Movement more fluid and contains dynamic
Modern Dance Intention was to create a new free dance and tear down the old ballet regime Multidimensional Originated in Europe By 1930, US had become center for dance experimentation
Слайд 2Modern Dance
Intention was to create a new free dance and tear
down the old ballet regime
Multidimensional
Originated in Europe
By 1930, US had become center for dance experimentation
Multidimensional
Originated in Europe
By 1930, US had become center for dance experimentation
Слайд 4Relationship of Movement to Music
In traditional ballet- movement parallel to rhythms
of music
In modern dance-
Dance may be composed first
Momentum of dance may run counter to rhythms of music
Music may be absent
In modern dance-
Dance may be composed first
Momentum of dance may run counter to rhythms of music
Music may be absent
Слайд 5History
First 3 Decades (starting about 1900)
Reaction against late 19th century ballet
Isadora
Duncan
Two developments
System of natural expressive gestures
Eurhytmics
Two developments
System of natural expressive gestures
Eurhytmics
Слайд 6Isadora Duncan
Born May 27, 1878
Youngest of 4
Started dancing young
Dance over formal
education
Mother of modern dance
Did not believe in formal ballet
Mother of modern dance
Did not believe in formal ballet
Слайд 7Isadora Duncan
Lived in many parts of the world
Had many love affairs
Criticized
for what she danced in
Tragedy made her not want to dance anymore
Career over in 1920's
Died September 14, 1927
Tragedy made her not want to dance anymore
Career over in 1920's
Died September 14, 1927
Слайд 9Second Wave (1930)
Rejected external movement sources in favor of internal ones
Martha
Graham
Defined modern dance and ballet in opposition to each other
Defined modern dance and ballet in opposition to each other
Слайд 10Martha Graham
Born May 11, 1894
Influence on dance compared to influence of
Picasso on modern art
Enrolled in Denishawn School
Critics described her dances as “ugly”
Louis Horst
“contraction and release”
Enrolled in Denishawn School
Critics described her dances as “ugly”
Louis Horst
“contraction and release”
Слайд 11Martha Graham
Martha Graham Dance Company
Dance career lasted 75 years
Collaborations with other
modern artists
Dances had “spaztic jerks”
Died April 1, 1991
Dances had “spaztic jerks”
Died April 1, 1991
Слайд 13Third Period (1945)
Began after WWII ended and continues today
Found movement sources
in proliferation of 20th century dance styles
Merce Cunningham revolutionized conventional dance
No longer interested in traditional techniques
Merce Cunningham revolutionized conventional dance
No longer interested in traditional techniques
Слайд 15The Beginning
Joined Martha Graham's Dance Company in 1939
Questioned the use of
music from the past
Felt too much concentration on style in modern dance
Every movement had a meaning
Curious about other possibilities
Ballet stimulated interests in mechanics of dancing
Felt too much concentration on style in modern dance
Every movement had a meaning
Curious about other possibilities
Ballet stimulated interests in mechanics of dancing
Слайд 16Interaction with John Cage
In summer of 1942, at Graham's Company, joined
by Cage
suggested the use of music as a determinant in choreographic structure
Cornerstone of postmodern dance
Variations V [Excerpts]
suggested the use of music as a determinant in choreographic structure
Cornerstone of postmodern dance
Variations V [Excerpts]
Слайд 18Root of an Unfocus 1944
Start of Cunningham's belief that the independence
of music and dance offered him greater expressive freedom
Слайд 19Departure from Graham Company (1945)
Experimented with motion for its own sake
Structure
without meaning
Dancers had difficulty perceiving
Dancers had difficulty perceiving
Слайд 20Chance
Wanted to represent deeper level of reality beyond subjectivity
By surrendering to
chance, hoped to avoid patterns
Dime a Dance
Dime a Dance
Слайд 21A dancer could be “standing still one moment, leaping or spinning
the next. There were familiar and unfamiliar movements, but what was continuously unfamiliar was the continuity, freed as it was from the usual cause and effect relations”-Anton Dolin, Autobiography
Слайд 23Choreography
Composed dances with interchangeable parts
Non repeatable performances- reflects the multiplicity
of modern life
Слайд 24Technology
For next 30 years, forged ahead into video then began composing
with computers
Computer- tool for indicating movement he no longer could
Computer- tool for indicating movement he no longer could
Слайд 25For people who “think”, his dances reflected the expanded consciousness of
the mid twentieth century
Слайд 26Overview
Movement more fluid and contains dynamic highlights
Choreography very diverse and can
not be chategorized as any specific dance style
